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Parris Goebel is just getting started

From Jennifer Lopez to Justin Bieber, Auckland’s Parris Goebel has worked with them all. Best known for choreographing Bieber’s music video, “Sorry”, which has garnered over 2.5 billion views to date,...

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Speaking with the pros: Dancer-choreographer Mitchell Woodcock

Mitchell Woodcock has done it all: commercial dance, musical theatre, back-up dancing and television work. He can quickly change his hat from West Side Story to hit show Dance Academy. His resume lists...

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Choreographer Nathan M. Wright talks ‘The Rocky Horror Show’, The...

Juggling choreography for three professional productions is not an easy task, especially when they are staged at the same time on two different sides of the world! Having choreographed the UK...

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Omer Backley-Astrachan: In the liminal space between us

Civilisation has bestowed many things on humanity, not the least of which is a way of living and being together that would have been not just unimaginable but barely intelligible to our hunter-gatherer...

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Kristina Chan’s ‘A Faint Existence’: Environmental movement

Yes, environment. No, not merely the reductionist narrative or narrow polemic of political theatre but the broader existential relationship we are all experiencing with the constantly morphing universe...

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Choreography Advice Series: Sydney Dance Company’s Rafael Bonachela

While there’s no shortage of advice out there for young dancers, the same can’t be said for aspiring choreographers. For those whose dream is to create dance, the road to success can seem...

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Meg Stuart: Trans-personal hygiene

On stage, there is a drum kit. It is a warm early autumn night, and the auditorium is tightly packed for the appearance of the American-born, European-based dancemaker. She’s been here in Australia for...

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Catching up with Lucy Guerin on ‘Split’

Lucy Guerin’s work has been described as “poignant” and “provocative”, “contemporary dance that reaches back to the roots of ancient theatre”. Dance Informa caught up with Guerin in between...

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Stephanie Lake’s ‘Colossus’: Stage set for big impact

Stephanie Lake has been described as “one of the most important voices in contemporary choreography”, with “gutsy physicality and kooky poetics”. With a number of impressive dance industry accolades,...

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Can I have a word with you? Neale Whittaker’s first full-length contemporary...

Although it sometimes seems as though we are in an age of hyper-polarised opinion, in which a click speed culture is driving a reactive retreat into the comforts of imagined certainties, there are...

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